The Dance is born of dance in its simplest form: the natural and spontaneous movements of the human being. It is a technical body that interrelates art (dance) and science (psychology) for the care of health problems and learning in the process of integration psychophysics.
expression interiority of people through dance - movement allows the emergence and subsequent development of creativity, expression and responsiveness by promoting the acceptance of oneself and others. Through individual work and / or group is empowered to build me a body more secure.
Dance The term is extremely broad and includes many activities ranging from natural or instinctive practices of some animals to the most elaborate artistic creations.
In its constant need for communication, describes four ways or paths traveled by the dance in its continuous evolution:
The four tracks of dance, but with their own characteristics and dominance in different eras, but are not mutually exclusive: the therapeutic pathway incorporates aspects of all previous ones.
Dance: WHAT ARE THE NAME
two languages. The dance and the clinician, and a subject to which it is a practice run. Dance involves an assignment to the field of health.
The conception of man is changing, incorporating elements of different sciences and moving towards a more complex and specialized.
What is the reason why the art, in this case the art of dance, has entered the health field? Among all the expressions of man, art has always had a bold and transgressive, the art looks at the subject with the eyes of the interior in relation to the outside world, with the eye of the creative impulse at an event beyond the rational. Just for this reason that, contrary to what puzzling and inexplicable to the human emotions and reactions arise from the mid-twentieth century based therapeutic rioja intrinsically expressive art of looking closer to the understanding of the subject who suffers it.
The Dance offers the possibility to transgress operational concepts established by the company, is the ability to feel joy, confidence and security. Allows the possibility of transforming that which is to create a response to new situations, and create a new answer to old situations. The technique promotes an attitude of active patients, turning them into protagonists of their own healing by providing tools and plan to continue their lives. There are no limitations on age, sex, social status, the availability of motion or level of intellectual development for the different people who moved into this process.
The purpose of preventive or cure is nothing more nor nothing less than a subject, so the danzaterapeuta, as do professional must be aware of their actions, you will know if their intervention is effective only if it recognizes your mobile, why is it that occurs when you give a slogan. This is not a random question: is the passage from theoretical and experimental whole danzaterapeuta you want to drive and sustain treatment.
The danzaterapeutas practicing in several areas: educational, recreational, rehabilitation and clinical results. The concept of health as the ability to learn. Health is not stereotyped, is the possibility of opening up new forms of expression and operation.
Its function is to open communication channels to facilitate the interplay of the person through dance, music, silence, the game , writing, drawing, speech, mood and object brokers.
danzaterapeuta be required to the body, the affection, thoughtful look, leave to the imagination, the ability to play, the possibility of adjusting its own time to time in each group.
Its tools allow you to techniques to delineate their role:
Organizing the work of another body through different creative stimuli.
Building trust in the group.
Listen suspending judgments and prejudices.
Listen to permit the opening up emergence of the new.
work on the emerging individual and group.
APPLICATIONS OF Dance
In one way or another the Dance is for everyone.
Mention a few:
motivation Through expressive movement, children come into contact with different spatial and temporal notions. In working with children, allowing the spontaneous emotions and needs to speak out permanently, and, as adults, we are reflected in them: the need for attention, approval, respect, acceptance, support, encouragement, be taken into account, the loved one.
In the case of small isolated or shy, suffering some kind of rejection of the group, experience with the body by the pace they can mobilize the means of communication within it. Why I live and for what? becomes the key.
not hear (deafness and hearing loss) does not mean not being able to think or feel. For a listener, not the silence is profound and permanent, for those affected by deafness is a well without color, a deep hole because there is no auditory memory, silence is the everyday. The method finds the language contained in the body so that you can dance with words, shapes, colors and rhythm in its expression.
In the case of the blind child or adult tries to awaken the sleepy Dance expressiveness and be a bridge to meet their own body, without the physical rigidity that usually.
Mental Disability: the danzaterapeuta person who works on the move, but not a syndrome or disease, which does not mean that the unknown nature of the pathology. They are looking to propose, speak, listen, read, beyond the thing itself, of being paralyzed or brain of Down syndrome or anything else, so that in the clinical arena is put into play the words and actions a person rather than a syndrome. Comes in the desire and the pleasure of the person on the move.
Physical disability: body language is very old, it is primitive, primary and dancing as something as natural to be together and integrate our system was taken away by the idea of specialization. All bodies have a language, and this has nothing to do with how the body is. The danzaterapeuta wonders about the unique history of that body, of his bodily suffering, their body schema and body image of their operation in the clinic trying to rescue the subject in the movement - dance is staged.
In our culture, built on the floor, do not think that in certain circumstances it is difficult and sometimes impossible to communicate through them. This is true of most of the patients mental (psychiatric) sometimes so severely damaged that may have lost contact with the world around them (psychosis).
Neurosis: without having to go to extreme cases, we know that this is also the case for anyone who suffers an emotional or a state of deep melancholy or concern or depression, found it difficult to hold a conversation beyond a few minutes. This is where the movement can allow the presentation and communication necessary because the muscles are those that contain the emotions.
Eating disorders: patients with any eating disorder (anorexia, bulimia, obesity) have distorted her body image, low self-esteem and poor self-concept, often raised issues of interpersonal relationships , and have difficulty in identifying feelings. Through the Dance patients are encouraged to recognize the tension in their bodies as a sign of emotion. This recognition allows control and healthy choices and to replace the self-eaters and purging cycles. Your feelings may be expressed symbolically in motion. Graciela
Dancer - Dance Teacher - Danzaterapeuta.
Integral Director of the School of Dance.